New year calendar 2015 launched at GRT Hotels, Chennai. Many celebrities colored the function with their presence in the event. Stills from the event:
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Love Shack is treating all the stunning beauties across city every Wednesday this January! Not just that, the icing on the cake is some Karaoke fun! Yes its gonna be a ladies night and ‘Karaoke night’ together every Wednesday. All those who love to take the centre stage and wanna sing like a rockstar, you know where to head to! Enjoy a double treat this January with KJ Martin D’Souza! Stills from the event:
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Sharan Apparao speaks on how art has evolved over the centuries and have refined living spaces by adding subtle statement and drama to it.
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Today, more than ever before, homes and work spaces have become showcases. Apart from traditional designers and vastu / feng shui consultants, we now have specialized professionals such as stylists, space planners, conceptualizers. Today there are no dearths of choices from imported furniture to various options for floors/walls to bespoke furnishings. However the one thing that has come to stay is ART. Whether it is an office or a residence, today old and new art has become an important aspect of living. Art created the ambiance, the mood, refines living spaces and also gives status. Good art speaks to the viewer and great art makes the statement. Art has moved from beyond pure adornment to communicating and creating the character of the space. The new trend is public and environmental art. Before we discuss art in the current times, let us go back in history. In ancient times, temple sculptures and adornments of religious spaces was considered “Public art”. Because of people’s reverence and faith in religion, artisans put in a lot of fervor and dedication in creating this art, many of which have stood the test to time. During Emperor Ashoka’s period, a lot of Buddhist art emerged because of his patronage towards Buddism. Mughals paid respect to their ancestors by way of creating magnificent tombs. Amongst the most significant work of Mughal architecture, the Taj Mahal stands unparalled as a symbol of beauty and love in a monument. The Mughals, who were known to have a great sense of aesthetics wanted to encourage the finer things in life around them. They left many examples of fine artworks in architecture, beautifully illustrated manuscripts, painting, jewellery, textiles, etc. Many Hindu kingdoms also had similar ideas and the profusion of rich artifacts, sculpture and examples of architecture in ancient India remains unparalled in the world. Yes the ancient arts of India gave us the roots of style and culture of refinement that we live in today.
So where does this leave us with modern art and what aesthetic and drama does one find? Art has moved from public spaces predominantly to private spaces and is now gradually moving back, additionally to public spaces as well.
Looking culturally at the history of India, one wonders when personal wealth and private spaces became so important that public art was relegated to the background and slowly that pubic art is gradually regaining its importance. It was after independence, when India began to grow, that the battle for status and recognition led people to accumulate vast amounts of wealth including art.
While ancient art and contemporary art collection was a pursuit of leisure in the 60’s and 70’s, starting from the 80’s collecting art became an important status symbol. It then entered living spaces with great gusto. The selection of course depended on personal tastes and the status of the collector and artist. Initially collectors support the arts as the statement the artists made or as a chronicle of time. Artists were crusaders of a cause. As the causes gathered momentum so did the status of the artist and the price of the artwork increase. This gathered momentum and the modern art movement became a force to reckon with .This brings us back to the current day and the impact that art creates in the environment.
While using art, the character and mood of the environment and space is controlled by the elements of colour, and form that are added to it. A dark environment can have dark art and a light space accordingly lighter art. The European salon style of displaying paintings on a wall consisted of filling a space with profusion of art and objects. The more minimalistic styles originated in the Far East and Nordic areas where “less was considered more”. The serenity of “less is more” is in the east probably because it had its roots in Buddhist philosophies. The ethnic and country styles originated with folk crafts gaining an entry into interior spaces.
One large painting can bind and pull together the mood of a room as can a collection of sculptures. Color plays an important role in creating a mood and ambience. Bright colors contrasting with each other create drama while soft colors soothe the atmosphere. A collection of soft colors in a collection of different forms can also be dramatic. Looking at art, combining art with the forms and colors keeping in mind the end styling and the required mood a selection can and will create drama.
Going back to the Taj Mahal, it was the form and the simplicity in its colour combined with the extraordinary skilled but subtle adornment that created the drama in this monument. The colour in the simple decorations stood out against the soft white platform that the marble provided. The ornate screens and dense design of the tombs drew attention to the central focus of the monument. It was the enduring story of love that went on to make history. Borrowing elements from the Taj and using successful elements from lessons in aesthetics and communication and using the same elements in an interior, one can select a platform of a base colour and set it off with a statement of skill and add the embellishments either in profusion or stand alone forms.
The drama of art in a space come with its relationship to the space in creating the mood, in the selection of aesthetic in making the statement, and more than anything else is the way the art speaks to the viewer in creating the style.
An example of a room in white can be dramatized with a riot of color and at the same time a strong statement can be made with just simple pale white forms set against one another. Another dramatic element can be brought in with the light created by sculptural forms and its shadow. Yes, the focus creates the language of the statement. The environment is but a stage and the actors are the art forms. The acting is the conversation the art has with the viewer and the mood is the narrative of the tale conveys. The timelessness of art comes from its relevance and impact. The memory is the lessons we take with us while history is what remains in the drama that art creates.
Noted textile designer Ashdeen Z. Lilaowala talks to Richa Tilokani about his passion for Parsi culture and the unique Gara embroidery.

Textile designer Ashdeen Z. Lilaowala is also an author and curator, having conducted detailed research projects on Parsi embroidery for the Ministry of Textiles. He has also conducted training workshops in Ahmedabad, Navsari, Mumbai and Delhi wherein more than 120 crafts persons were trained in the Parsi Gara embroidery.
A graduate of the Textile Design from National Institute of Design (NID), Ahmedabad, Ashdeen’s love affair with the scintillating Parsi Gara embroidery started early. Says Ashdeen of his start in the design world, “As a child, I was impressed by my mother’s good taste in saris. At weddings, I would see her, my aunts, sisters and friends wear elegant saris with Parsi embroidery. My elder sister was a designer, so I was also inspired to do something creative. I decided to study design and adopted the Parsi Gara embroidery as my signature.”
Fashion and Culture
Ashdeen’s designs showcase the Parsi culture and lifestyle through his exotic Parsi Gara work. He says, “Parsi Gara is influenced by Chinese and Japanese designs. I love our traditional embroidery, but at the same time I want to make it contemporary so it will appeal to a younger audience as well. I don’t use abstracts, I prefer nature, flora and fauna as motifs which make my pieces modern and beautiful at the same.”
Ashdeen’s designs are not trend driven, rather they are classics which can be handed down from generation to generation. “Parsi embroidery is very expensive, so it’s wise to treat the pieces as heirlooms. They are timeless and look elegant at all occasions. They are made for the discerning fashionista who understands vintage garments and is ready to invest in a good piece. Nowadays, customers understand the difference between machine cut and hand work and are willing to pay a premium for it,” he shares.
The Parsi Gara exhibition was accompanied by an unveiling of the history, tradition, forms and well springs of the cultures which were defined in talks and discussions by leading writers, authorities, practitioners, collections and scholars like Pheroza Godrej, art historian conservationist and founder of Cymroza Art Gallery in Mumbai.
Design Talent of 2013

In 2012, Ashdeen launched his eponymous label ‘Ashdeen’, specialising in hand embroidered saris, cocktails dresses and gowns. Since then, he has created many exquisite pieces, featuring a unique take on the traditional Parsi Gara embroidery. No wonder then, Ashdeen was hailed as the ‘Hottest design talent of 2013’. Of course, it was not all smooth sailing. Says Ashdeen of the challenges in his line of work, “It is always a challenge to retain good crafts people. I have to also be careful of maintaining the quality of the embroidery and at the same time, ensuring that the costs don’t go too high or the design will become prohibitively expensive for the customer. It’s important to strike a balance to get the perfect piece.”
They race along the surf, dropping off massive waves and cutting through the water along the tranquil coast of Mangalore. Ishita Malaviya and Tushar Pathiyan, two of India’s youngest surfers ride the waves with us as they share secrets about this new-age sport and how its suddenly catching on in India.

Its definitely not Malibu beach, though the waters here are equally blue. It’s the lack of tanned, fit bodies, men in board shorts and babes in bikinis that brings out the stark difference between the beach in California and the one in Mangalore. While the quality of waves at both these beaches are extremely conducive for surfing, Malibu is teeming with enthusiastic surfers while Kodi Bengre is populated by its two lone occupants – Ishita Malaviya and Tushar Pathiyan.
Having made their way to Manipal in search of education, Ishita and Tushar chanced upon the Surfing Swamis at Mantra Surf Club located in a small hamlet some 40 kilometers away. Run by American Jack Hebner and his bunch of Krishna conscious disciples, this unique surf club offered room (and surf boards) to its customers, thereby getting the young duo hooked onto this adrenaline feeding sport.

“Surfing is not about catching a few waves. A lot depends upon your fitness and technique; its a lifestyle commitment,” says 24-year-old Ishita. “There’s a misconception in India that people who actually want to surf need to go abroad to learn. We have 7,000 kilometers of coastline and some of the most spectacular waters here. There’s no need to go anywhere; you can surf right here,” says her companion Tushar.
Upon completing their education at Manipal the duo opened The Shaaka Surf Club at Kodi Bengre, a small fishing village nearby. “So far we’ve taught over 200 people how to surf, many of them students from Manipal, a few tourists and some locals,” explains Tushar, adding that, “Most people don’t know how to interact with the ocean; surfing provides that missing link.”
While Ishita studied journalism, Tushar studied architecture. “There were times when I used to go to class late because I spent a few extra moments on the water. Once you’re hooked the sport is addictive (but in a good way) and all you want to do is ride the waves,” tells Tushar. “Our lives are based around the ocean,” says Ishita, explaining how they educate locals on water safety and how to keep the ocean clean.
“Many of the local fishermen go out to sea, but they don’t know how to swim. We teach them to swim and to appreciate the ocean and all that it gives us,” she says. The duo also gives lectures at several local schools and colleges on how to stay safe in the water. They charge a nominal fee to teach people how to surf – ranging from Rs. 700 to Rs. 1,000 for every three-hour lesson.

Ishita is the country’s first female surfer and The Shaaka Surf Club, run by this young and enterprising duo, was recently supported by Quiksilver, the world’s largest manufacturer of surf wear and board-sport related equipment. “Its great to finally be recognized for all our hard work. We hope that with the support of more such brands we will now be able to do a lot more to promote and popularize surfing across the country,” says an excited Ishita.

For now the duo continues to work relentlessly to teach more like-minded individuals the joys of surfing. They’re also putting out word, to whoever’s listening, that the waters in India are not as flat as a pancake. They’re choppy, rough, exciting and perfect for surfing.
Antaram – A Dynamic Collage of Classical Dance and Theatre was held on Saturday at HICC. The program was Organised by Hydourite.
Those whose-who graced the performance include Allu Arvind; Surekha Chiranjeevi ; Padmasri Dr. K Viswanath; Raja Reddy; Radha Reddy; Kaushalya Reddy; Kavita K (Member of Parliament); Bhavana Reddy. Antaram was witnessed by well over 500 classical dance. music and art lovers.
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The New year party “Switch NYE 2015 with Sunny Leone and DJ NYK” held at JRC Convention Hall, Hyderabad. Sunny Leone performances a dance at the party. Stills from the event:
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HELLO CURRY – World’s First Fast Indian Food Chain – hosted an evening of celebrations to commemorate its grand launch at Hi-tech city. Special invitees, Corporate honchos, Tollywood stars & socialites attended this memorable evening of socialising and networking. Hello curry founder directors Raju Bhupati and Sandeep Penmatsa played perfect hosts and went out of their way to ensure that the guests were comfortable and had a good time.
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GRT Hotels launched a desktop calendar with their favorite recipes of the different restaurants in the Group. Many of the socialites, food critics and celebrities of Chennai attended ‘The White Brunch’ event. Some of the stills from the event:
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Brazilian supermodel, Gisele Bündchen is the new face of Chanel No. 5, the iconic fragrance of the brand. In addition to Gisele, Chanel also brought on well-known director Baz Luhrmann to create a short film celebrating the iconic perfume, a three-and-a-half-minute piece that will be cut down into 30-second and 60-second clips for TV. The film is as theatrical and mesmerizing as the rest of his masterpieces, which includes Moulin Rouge, The Great Gatsby, and Strictly Ballroom etc. This is Luhrmann’s second short film for Chanel No. 5. The first starred Nicole Kidman which he filmed it almost 11 years ago—to the day.
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One of Luhrmann’s favorite places, the Queensboro Bridge, makes an appearance. This is the third time he’s filmed the bridge: He used it in his original Chanel No. 5 ad as well as in The Great Gatsby. Most of the clothes in the film are from Chanel’s resort 2015 collection. Whether riding killer waves in a Chanel wetsuit and surfboard, embracing her child before heading off to a glamorous photo shoot or sharing a passionate kiss with “Game of Thrones” actor Michael Huisman in an LBD, Bündchen embodies what Luhrmann described as the spirit of Coco Chanel: a liberating energy. Singer Lo-Fang, a.k.a. Matthew Hemerlein, sings a haunting sultry version of “You’re the One That I Want” from “Grease” and adds the commercial edge to whole video.
Pooja Umashankar (Actress) at Toni and Guy Essensuals Salon launch at Iyyappanthangal Photos:
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Perhaps you’ve noticed the lob and the bob are taking the world, or at least our social media feeds, by storm. It’s a really fun time to make a big hair change. Lob or longer bob are making a huge ripple with stars like Emma Stone, Keira Knightley carrying it off with such elan. It is this one style that anyone could maintain and carry it off given the timeless contemporary feel it adds to the look. It is the one haircut that works on everyone. You can go for a traditional lob with blunt bangs and cut or go in with the more stylish modern version of a more mussed out lob with soft layered fringes and ends.

Carefree Boho waves are our new found love for this season. Barely there yet rebellious, this simple hairstyle graced the spring 2015 runway for Marchesa, Chloe, Tory Burch, Alberta Ferreti, Chanel, Emilio Pucci etc. Easy to pull off; wear them with sheer dresses, floral prints or classy whites for that bohemian moment.

Stills from New year celebration at Sandhya Convention Center, Hyderabad:
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Stills from New year bash with New Moon at Fusion 9 – Inorbit Mall, Hyderabad:
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Some of the Celebrities in best dressed this week:
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